The Video we have chosen to analyze, is Devlin's, 'London City'. The reason why this video is so suitable for us to analyze is because it belongs to the same genre as our own song, 'Goodnight'. Both artists are also part of the underground UK hip-hop/grime scene that is emerging into pop culture through such devices as youtube.com and readily available online downloads . This video is a low budget product that is quite simple, but at the same time very creative. The name and song have great relevance to the video as one would expect, for example its obviously been filmed in the capital, London, which is no coincidence as the song is all about Devlin's experience here. Time lapse photography is used throughout the video to represent the rush that Devlin experiences when he is there. This huge fast moving, never stopping and never sleeping City.
Certain shots are used throughout to show the size and face of the city, for example the video consistently returns to a shot of Devlin lip syncing the lyrics on a b
ackdrop of huge animated screens (pictured right). This low angle shot has been used to represent Devlin as powerful and the screens are there to represent the size and importance of the city as you would struggle to find screens of this size in cities lacking in status - something that Devlin unmistakably believes he already has. A long shot is used at the beginning of the video showing Big Ben and the London eye reminding viewers where this video is being filmed as these iconic landmarks are unmistakable. Close up and medium worm eye shots are used on Devlin to highlight him as the central figure and that all attention should be on him.
ackdrop of huge animated screens (pictured right). This low angle shot has been used to represent Devlin as powerful and the screens are there to represent the size and importance of the city as you would struggle to find screens of this size in cities lacking in status - something that Devlin unmistakably believes he already has. A long shot is used at the beginning of the video showing Big Ben and the London eye reminding viewers where this video is being filmed as these iconic landmarks are unmistakable. Close up and medium worm eye shots are used on Devlin to highlight him as the central figure and that all attention should be on him.There are also visual links throughout linking the lyrics of the song to events happening in the video. For example at 0.41secs (pictured right) he exclaims, "ive got about £400
with me.." the video then switches to a close up of someone counting out twenty pound bills. Although simple this is an effective way of keeping an audience engaged. While filming our video we might employ this technique to gain a similar effect as it has in 'London City'. This video has given us great confidence as it is evidence of how to achieve an effective hip-hop video with little financial aid. It's also shown us how successful a video can be without flying abroad to shoot it. Simply by using the city we live in we believe we can create an interesting, challenging music video that brings new elements to videos of the hip-hop/grime genre.



